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Friday, December 11, 2009
Coming up on the solstice
Thursday, December 10, 2009
Another way of going home
I’ve been thinking lately about another sense of the phrase, “Going Home.” So often we live day to day at the surface of things. We skip along dealing with a dirty kitchen floor, or the need to run to the grocery store for bread and milk, or thinking about Brett Favre's passing game. We spend the vast majority of our time and energy dealing with what is urgent, but not important. I’m not saying that details should be ignored, not at all. But what does so often get ignored is the center of our being, the deeper matters of our lives. We live at the surface and only rarely go home to the core of who we are.
Now I realize that for some people, the idea of spending a lot of time thinking about deeper things is either terrifying or nauseating. Some people just don’t want to dig that deep, and by nature they are not created with that inward-looking tendency. That’s fine. But many others have been conditioned not to look at life in any depth because when they’ve tried to think beyond the surface, others have mocked them or disagreed with them or trivialized their insights.
One of the chief ways I see this is the tendency we have to stifle the questions of children. Three-year-olds are born theologians. I’ve heard more great questions from three year olds. Last summer a very young man, encouraged (rightly) by his parents, stopped me in the parking lot of a local park to ask me a question. Knowing I was a pastor, his parents brought his question to me to affirm and validate his curiosity. “Who created God?” he wanted to know. We had a great 90-second theological conversation about it. He was satisfied, but more important his search for answers and meaning was affirmed by his parents. Too often parents, uncomfortable with questions they can’t answer or questions that embarrass them (“Where did I come from?” or “Why do things die?”) teach children not to ask. Sometimes this is overt -- “Don’t ask questions like that.” But more often it happens when our discomfort is apparent to our children and they recognize that they have done something unacceptable. Dad is in a rush so when the question comes up, he snaps, “I don’t know,” and changes the subject or ignores the follow-up questions. Soon his child recognizes that asking such questions is, to borrow a biblical phrase, chasing after the wind. And the child learns not to ask, not to think on a deeper level, not to ponder. Tragedy. Because God created a curiosity in the heart of that child, and it has been stifled.
Last night I was privileged to sit with the 9th grade confirmation class at Central. Curt and Ryan and I sat on chairs up front and we took a solid hour just to try to answer some of the questions these young men and women have been asking throughout the fall. What fun! We talked about how the Bible was written, why divorce and tragedy and sin and death and evil exist, whether the world will end in 2012, what is the difference between “heaven” and “eternal life,” and lots more. Great questions. Curt, who is the primary leader of this group, has done an outstanding job teaching them that it is okay to ask questions.
The Bible says that God has placed eternity in the human heart. This expresses itself in many ways -- our sense of beauty, or our need for relationships. But another way this comes out is that we long to look into the heart of things, to ask hard questions, to seek after God and the things of eternity. It is one way God has created us with a hunger to know him. Asking these hard questions, reflecting on deeper things, going to the core of who we are, is in a very real sense like Going Home. It is who we are created to be.
So just in case this is a struggle for you, here are three questions to get you pondering today.
- Who has most deeply influenced my spiritual life, and how?
- Why do I do the things I do that have negative consequences?
- What one thing could I change to give God more access to my life?
Have fun!
Wednesday, December 9, 2009
Conversation this morning
Monday, December 7, 2009
Origin stories
A project?
Busy weekend
Friday, December 4, 2009
Advent again
Advent
Come with me. Wait, wait. Such a tangle in the parking lot. Is everyone here for the same thing? Wow. No room here. Follow the trail of red lights, watch the shrouded figure with the orange flashlight waving us on. Up the hill to the back lot. Is there room here? Yes -- yes, an open space. Finally!
Now, out of the car -- come on, we’ve got a ways to go yet -- and just follow the crowd. No, I don’t know the way, but I hope they do. Back down the hill for starters. See? Everyone is headed down that long walkway. It’s cold! Feels like snow by morning. The wind tears inside every seam on my clothes. Oh, good -- they’re headed in that doorway. Now the press is warmer, but crowded, too. Down the hallway, down the stairs, lower, lower. One last speedwalk across the mezzanine, past the ushers -- what? Oh, yes, I’m expected, I have a ticket here somewhere -- quick, find a seat, there, down toward the front, there’s one left. Excuse me, sorry, excuse me, oh -- sorry about your coat, ma’am -- sit down.
At that moment strains of song begin ... A lone voice at first, then two, others joining from the long procession of figures in dark robes, their faces lit by candles, line upon line carrying forward the ancient song.
I am caught up in the scene from Revelation, I realize, Revelation 4-5. We are gathered around the throne of God, faces lit with candles, lit with music, lit with joy; each player carefully placed, planted; every movement choreographed to the millimeter yet alive with the Spirit of the living God, flowing, calling forth music, voices -- thousands of voices, a multitude beyond number, my voice also cracks and wavers through tears, but the song is not marred by my emotion -- an ancient song of praise:
“Joyful all ye nations, rise;
Join the triumph of the skies.
With th’angelic host proclaim:
‘Christ is born in Bethlehem!”
The song continues, flowing from one into the next, a group here, a solo there. Now and then a voice rises to speak the words of the long-ago prophecies, declaring the promises and the works of our faithful God. All this pageantry, all this panoply of sound is for the One who sits on the throne, and we have joined together to lift him up, glorify, praise, adore.
A strange man steps to the fore. At first I am offended. What does such a man have to do with standing before this assembly? I see his scuffed shoes, the too-many creases in cheap pants, the hasty topcoat thrown over all. His untidy beard. I am put in mind of a children’s story, however, when he steps up. In the story each one who came into the circle, ragged and simple and humble, was revealed as a great lord or lady as they stepped into the ring. So here -- in his stoop, the movement of his arms and shoulders and fingers, the way he holds his head a little to one side (‘ware the pursed lips and his flashing eye!) even the clenching of his jaw -- every fiber of his being is given to this grand service. He is an artist, leading the artists, who lead the worship, bending every shred of his will to create an offering worthy of the King of kings!
The song goes on, rising and falling. Then, in the midst, a simple love song. Once written by a young woman for her lover, now the high voices carry this haunting tune to a new depth, a new love, a new Lover. But there is one -- among the perfect faces lit with joy, one cut by grief. Perhaps it is too near for her to sing of her true love. Her lip trembles and a wistful, even tearful expression escapes the rigid mask of propriety. Is there not love enough in this throneroom to heal her grief? Will she discover that this Lover is indeed sufficient for her every desire, her every need? The song goes on, and her face fades into the multitude.
The songs are familiar. Until now I had thought them baubles, cheap phrases used by advertisers to increase revenue in this silly season. The tattered remnants of commercials call to my mind shopping malls and interminable pop radio -- “All Christmas, All the Time!” These songs have been tawdry and thin at their best up till now. But here, they are revealed in their glory, as all things in that Presence are revealed in their glory, in the beauty of the first morning of unstained creation. Here there is no unreached potential, no sad failure to achieve; all is fullness, all is glory, for all is filled with the Spirit of God, even the songs. Especially the songs. These are fitting tribute and offering in the court of this King. There is no plate passed, no basket at the door, no appeal for support, for every heart here is laid on the altar; every life laid down for love’s sake; every shred of self will nailed to the cross.
What makes it so? In such a presence, how can one not worship? Each singer, each player, is caught up in that moment in full awareness that their craft (in German, kraft means strength) their art, is worship.
Then, when all was full and resounding like breakers in a February storm tearing at the rocks on the beach, like the fury of an early blizzard descending across the prairies without warning, like the stillness of the morning when frost rainbows ring from the trees in unbearable sunlight, then there came one like a Lamb, bearing the wounds that had once caused his death.
“Nail, spear, shall pierce him through
the cross be borne for me, for you
Hail, hail, the Word made flesh
the Babe, the Son of Mary.”
He came before the One seated on the Throne, and a voice declared, “You alone are worthy, for you were slain, and your blood purchased for God people of every tribe and tongue, every people and nation.”
We are caught at the unutterable edge of grief and joy, the undividable edge where need and fullness meet and become one. Here is the one who has opened the door, gathered the multitude, taken my brokenness onto him self so that I might be lost in wonder, love, and praise.
Then all goes silent. Out of the worshipping quiet comes a tone, a bell, a chorus of bells. Their eerie harmonies call from the altar that stands before the throne, saying that the vision cannot last -- not yet -- and time will come soon to turn back.
This multitude gathered around the throne is a band of messengers, come to tell you of a love beyond the reach of your heart that holds you, heals you, and waits for you. Know this: the time of your waiting, the time of your bondage, the time of your exile is short.
Meanwhile the song in heaven does not stop. It continues and praise swells through the ages ever greater, ever fuller around the throne:
Christ, to Thee with God the Father
And O Holy Ghost, to Thee
Hymn and chant and high thanksgiving
And unwearied praises be;
Honor, glory and dominion
And eternal victory
Evermore and evermore!
Thursday, December 3, 2009
Walking in the light
Thursday, November 26, 2009
Going Home
One of the problems with going home is that in a mobile society, many of us have multiple homes to return to. One of my favorites is the badlands of North Dakota. I go back there to bowhunt for mule deer with my brothers. That fellowship of pleistocene ritual is wonder enough, but layered over the top for me is the emotion of going back to the badlands. My first call as an ordained pastor was to Williston, North Dakota, and I fell in love with the wide, dry, rugged land.
Western North Dakota is what geologists call “negative topography.” That means that once upon a time the surface of the ground was more or less level, far higher than it is now, and what would eventually become vast prairies were laid down in successive layers by a warm inland sea where mosasaurs and other primal creatures did epic battle. Their bones eventually settled in the mud at the bottom of the sea. Depending on the sources of inflowing water, the mud was brown, or white, or black, or reddish. When the waters dried up, these great prairies became lush grasslands. Here and there a river cut the surface and over time erosion began to carve the surface down, layer by layer, into canyons and coulees. The multicolored layers of clay and dirt and sandstone opened up to reveal a riot of color and eye-numbing designs on the sides of the canyons. As the runoff cut deeper and deeper channels, the winding canyons twisted and turned back on each other until this deeply carved area -- miles and miles and miles across -- became a navigator’s nightmare. You can literally walk in, turn around once, and be lost. The designs, the canyons, all look the same.
Mule deer love it here. They sleep in the junipers on the north facing slopes and graze in the sage on the coulee bottoms. Coyotes and rabbits and rattlesnakes all have a place in this severe wonderland. I wounded a rabbit with an arrow one hot day and followed him into a narrow washout where he retreated to hide. I crawled six feet inside the small cave, dark and dry, where he had disappeared before I remembered rattlesnakes. I backed out slowly without injury, but a few minutes later saw a six foot rattler slide through that same hole.
Before he led the charge up San Juan Hill or got himself elected President, Teddy Roosevelt had a ranch just northwest of the canyons we hunt. In later life he was fond of reminiscing about how his time in the badlands made him strong.
Because the landscape is carved from the flat surface down, not lifted up like traditional mountains, it is deceptive to drive to the badlands. You drive and drive across flat prairie and it sucks you into the illusion of flatness. You think it will go on forever. Then suddenly you come around a corner (why have a corner in flat country? you wonder) and the bottom drops out and you run down the coulee into bottoms where the rust and cream bluffs tower over your head. The farther down you go the deeper it gets and the higher the canyons, until the bucks are sitting on a shelf a hundred feet above your head and watching you drive by, confident that you are blind to their presence, and you are.
Strange things live here. Bighorn sheep and mountain lions make an appearance from time to time, and in Teddy Roosevelt National Park there are herds of bison. Even the geology takes on a life of its own. There are towering buttes with flat tops where a tabletop of flat, hard sandstone protects the clay underneath from being eroded away. By some strange geological happenstance here and there you can find something that look like gigantic cannonballs, two and three feet across, dark brown and waiting for battle. Swallows nest in stands of wavering sculpture that look like drunken mushrooms leaning on each other for support, but the whole formation is made out of clay. Here and there a seam of coal shows through. Other places there are dark red, sharp-edged scoria rocks, formed when one of those coal seams caught fire and baked the clay around it.
I knew a man once who made his spending money as a boy digging that coal. He and his brother parked a wagon at the top of the bluff, and one brother climbed down to dig the coal. He’d fill a three gallon bucket they had tied to a hundred twenty feet of rope. The other brother waiting at the top pulled the bucket up and dumped it in the wagon. They repeated this process until they got a wagon load, then drove the horses twelve miles to town and sold the load for five dollars.
You can still find old cabins, broken down and mostly rotted, here and there in the badlands. Some homesteader in the early 1900’s, probably poor, probably from Denmark or Finland, came to try his luck at the American Dream. They almost all failed, for the badlands don’t suffer fools lightly. Brutal winters, scorching summers, desperate men avoiding the law and nearly every other pestilence known to humanity has taken up residence there at one time or another.
The weather here can be ornery, too. It’s not unusual to get a week of beautiful 50 degree sunny weather in the middle of winter when the winds are right. But don’t let it put you too much at ease! Frequently those warm spells give way to a blizzard, and in an afternoon the temperature can drop fifty degrees and usher in two feet of howling snow.
I used to take my daughters to the badlands just south of Williston when they were about five and eight. We found slides in the clay formations, wore the backsides out of our pants, learned about cactus and bull snakes, and I taught them to shoot the replica Henry .22 I bought just for the purpose. There’s something just right about a lever-action rifle when you’re in that kind of country. I’d like to take them back. It’s probably one of the first real homes they have to go back to. The summer they were seven and ten we camped with them in the north unit of Teddy Roosevelt National Park, in a campground we had all to ourselves. All to ourselves, that is, until sunrise when a bachelor herd of bison wandered in, about thirty males all testosterone and determination to show each other who was the baddest. This was the first night we ever let the girls sleep in their own tent. My wife and I watched breathless as the snorting, heaving, wooly behemoths came within six feet of the girls’ tent. The girls were transfixed, fascinated, in awe of a spectacle that is just a little different in person than on Animal Planet.
So now and then I go home to another home, to commune with the windswept buttes and yucca plants, to see a few mulies, to hear coyotes sing and to sleep out in the open country with my brothers. I climb the buttes and lay in the grass, avoiding the cactus, to scan the coulees below for mule deer. We walk ten or twelve miles in a day, or maybe we sit in one spot and never move more than a hundred yards. Just like it did for my ancestors thousands of years ago, it depends on the deer. We get up in the early dark and sit by the fire after sunset, carrying jerky and water to get us through the days. And after a few hard days it will be time to pack it all in and come back here, come back home, come back to the ones I love most. I’m excited.